2006-09-17

This is an ode to Rainer Maria Rilke

Self-Portrait

The steadfastness of generations of nobility
shows in the curving lines that form the eyebrows.
And the blue eyes still show traces of childhood fears
and of humility here and there, not of a servant's,
yet of one who serves obediantly, and of a woman.
The mouth formed as a mouth, large and accurate,
not given to long phrases, but to express
persuasively what is right. The forehead without guile
and favoring the shadows of quiet downward gazing.


This, as a coherent whole, only casually observed;
never as yet tried in suffering or succeeding,
held together for an enduring fulfillment,
yet so as if for times to come, out of these scattered things,
something serious and lasting were being planned.

What survives?

Who says that all must vanish?
Who knows, perhaps the flight
of the bird you wound remains,
and perhaps flowers survive
caresses in us, in their ground.
It isn't the gesture that lasts,
but it dresses you again in gold
armor -from breast to knees-
and the battle was so pure
an Angel wears it after you.

Telling you all

Telling you all would take too long.
Besides, we read in the Bible
how the good is harmful
and how misfortune is good.
Let's invite something new
by unifying our silences;
if, then and there, we advance,
we'll know it soon enough.
And yet towards evening,
when his memory is persistent,
one belated curiousity
stops him before the mirror.
We don't know if he is frightened.
But he stays, he is engrossed,and,
facing his reflection,
transports himself somewhere else.

On Hearing of a Death

We lack all knowledge of this parting. Death
does not deal with us. We have no reason
to show death admiration, love or hate;
his mask of feigned tragic lament gives us
a false impression. The world's stage is still
filled with roles which we play. While we worry
that our performances may not please,
death also performs, although to no applause.
But as you left us, there broke upon this stage
a glimpse of reality, shown through the slight
opening through which you dissapeared: green,
evergreen, bathed in sunlight, actual woods.
We keep on playiing, still anxious, our difficult roles
declaiming, accompanied by matching gestures
as required. But your presence so suddenly
removed from our midst and from our play, at times
overcomes us like a sense of that other
reality: yours, that we are so overwhelmed
and play our actual lives instead of the performance,
forgetting altogehter the applause.

Katrina at 10:58 PM

2006-09-17

This is an ode to Rainer Maria Rilke

Self-Portrait

The steadfastness of generations of nobility
shows in the curving lines that form the eyebrows.
And the blue eyes still show traces of childhood fears
and of humility here and there, not of a servant's,
yet of one who serves obediantly, and of a woman.
The mouth formed as a mouth, large and accurate,
not given to long phrases, but to express
persuasively what is right. The forehead without guile
and favoring the shadows of quiet downward gazing.


This, as a coherent whole, only casually observed;
never as yet tried in suffering or succeeding,
held together for an enduring fulfillment,
yet so as if for times to come, out of these scattered things,
something serious and lasting were being planned.

What survives?

Who says that all must vanish?
Who knows, perhaps the flight
of the bird you wound remains,
and perhaps flowers survive
caresses in us, in their ground.
It isn't the gesture that lasts,
but it dresses you again in gold
armor -from breast to knees-
and the battle was so pure
an Angel wears it after you.

Telling you all

Telling you all would take too long.
Besides, we read in the Bible
how the good is harmful
and how misfortune is good.
Let's invite something new
by unifying our silences;
if, then and there, we advance,
we'll know it soon enough.
And yet towards evening,
when his memory is persistent,
one belated curiousity
stops him before the mirror.
We don't know if he is frightened.
But he stays, he is engrossed,and,
facing his reflection,
transports himself somewhere else.

On Hearing of a Death

We lack all knowledge of this parting. Death
does not deal with us. We have no reason
to show death admiration, love or hate;
his mask of feigned tragic lament gives us
a false impression. The world's stage is still
filled with roles which we play. While we worry
that our performances may not please,
death also performs, although to no applause.
But as you left us, there broke upon this stage
a glimpse of reality, shown through the slight
opening through which you dissapeared: green,
evergreen, bathed in sunlight, actual woods.
We keep on playiing, still anxious, our difficult roles
declaiming, accompanied by matching gestures
as required. But your presence so suddenly
removed from our midst and from our play, at times
overcomes us like a sense of that other
reality: yours, that we are so overwhelmed
and play our actual lives instead of the performance,
forgetting altogehter the applause.

Katrina at 10:58 PM